Detalles MARC
| 000 -LEADER |
| fixed length control field |
03922ngm a2200577 i 4500 |
| 001 - CONTROL NUMBER |
| control field |
130946 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
ES-MaCDAEM |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20250704122253.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
| fixed length control field |
vz czaz|| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
250704s2024 sp 111|| o0 vlspa d |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
ES-MaCDAEM |
| Language of cataloging |
spa |
| Description conventions |
rda |
| 245 00 - TITLE STATEMENT |
| Title |
fatiMatrioshka : |
| Remainder of title |
antología (1991-2024). Concierto-performance para voz sola |
| Statement of responsibility, etc |
Fátima Miranda |
| 264 #0 - PRODUCCIÓN, PUBLICACIÓN, DISTRIBUCIÓN, FABRICACIÓN Y COPYRIGHT |
| Producción publicación distribución fabricación |
Madrid |
| Nombre del de productor editor distribuidor fabricante |
INAEM – CDAEM (Unidad de audiovisuales) |
| Fecha de producción publicación distribución fabricación o copyright |
2024 |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
111 min |
| -- |
Archivo audiovisual digital (mp4) |
| Other physical details |
sonido, color |
| 336 ## - TIPO DE CONTENIDO |
| Fuente |
rdacontent |
| Término de tipo de contenido |
imagen móvil bidimensional |
| Código de tipo de contenido |
tdi |
| 337 ## - TIPO DE MEDIO |
| Fuente |
rdamedia |
| Término de tipo de contenido |
vídeo |
| Código de tipo de contenido |
v |
| 500 ## - GENERAL NOTE |
| General note |
En el programa de mano: Arte vocal / arte sonoro / videoarte |
| 500 ## - GENERAL NOTE |
| General note |
Nota del programa de mano: Todos los sonidos vocales producidos en este concierto son naturales y el resultado de técnicas desarrolladas por Fátima Miranda. Las voces que acompañan algunas de las obras del concierto han sido cantadas por ella misma y grabadas en tiempo real en pistas consecutivas. La voz solo está apoyada por amplificación sin manipulación electrónica alguna. |
| 505 ## - FORMATTED CONTENTS NOTE |
| Formatted contents note |
PROGRAMA<br/>In Principio II<br/>Shokunina<br/>In Memoriam Thomas Clements<br/>Entre Nosotros -Epitafio a las Ballenas-<br/>Desasosiego<br/>Tala Tala que Tala Tala ¿qué Tal?<br/>Après un Rêve<br/>Hálito-Interludio en off<br/>Entre Salamanca y Samarkanda<br/>El Principio del Fin<br/>Chama Chamana Maná<br/>Aire Desoriental II |
| 511 0# - PARTICIPANT OR PERFORMER NOTE |
| Participant or performer note |
Música, cantante-performer, vídeos, espacio escénico, Fátima Miranda |
| 511 0# - PARTICIPANT OR PERFORMER NOTE |
| Participant or performer note |
Iluminación, Lola Barroso (A.A.I) ; ingeniero de sonido, Antonio Esteban ; coordinación técnica de escena y de proyecciones, Alex Haces ; vestuario, Milagros González Angulo |
| 511 0# - PARTICIPANT OR PERFORMER NOTE |
| Participant or performer note |
Música de “Après un Rêve”, Gabriel Fauré ; recitado del Sutra “Hannya Shingyo”, Thomas Clements ; acompañamiento de piano para “Après un Rêve”, Miguel Ángel Alonso Mirón ; acompañamiento de zimbal para “Shokunina” y “Chama Chamana”, Dino del Monte<br/> |
| 511 0# - PARTICIPANT OR PERFORMER NOTE |
| Participant or performer note |
Realización de vídeo para “Desasosiego” e “In Principio”, Eugeni Bonet & Mayte Ninou ; realización de vídeo para “El Principio del Fin”, Luis Emaldi ; edición multipista, Andrés Vázquez |
| 518 ## - DATE/TIME AND PLACE OF AN EVENT NOTE |
| Date/time and place of an event note |
Grabada el 07/02/2024 en la Sala Verde de los Teatros del Canal |
| 520 3# - SUMMARY, ETC. |
| Summary, etc |
Una performance que difumina las fronteras entre canto, poesía, teatro, composición e improvisación. Fuente: Teatros del Canal |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Voz |
| 9 (RLIN) |
114931 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Arte sonoro |
| 9 (RLIN) |
126575 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Videoarte |
| 9 (RLIN) |
115622 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Música vocal |
| 9 (RLIN) |
114872 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Técnica vocal |
| 9 (RLIN) |
114921 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Improvisación (Música) |
| 9 (RLIN) |
118054 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name as entry element |
Música y Teatro |
| 9 (RLIN) |
13184 |
| 655 #7 - INDEX TERM--GENRE/FORM |
| Genre/form data or focus term |
Espectáculos filmados |
| Source of term |
tgfbne |
| 9 (RLIN) |
142152 |
| 655 #7 - INDEX TERM--GENRE/FORM |
| Genre/form data or focus term |
Conciertos |
| Source of term |
tgfbne |
| 9 (RLIN) |
141621 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Miranda, Fátima |
| Dates associated with a name |
1952- |
| Relator term |
Música |
| -- |
Canto |
| -- |
Performance |
| -- |
Vídeo |
| -- |
Espacio escénico |
| 9 (RLIN) |
107786 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Barroso, Lola |
| Relator term |
Iluminación |
| 9 (RLIN) |
140482 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Esteban, Antonio |
| Relator term |
Sonido |
| 9 (RLIN) |
29750 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
González Ángulo, Milagros |
| Relator term |
Vestuario |
| 9 (RLIN) |
96527 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Fauré, Gabriel |
| Dates associated with a name |
1845-1924 |
| Relator term |
Música |
| 9 (RLIN) |
102007 |
| Title of a work |
Après un Rêve |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Clements, Thomas |
| Dates associated with a name |
1961- |
| Relator term |
Voz |
| 9 (RLIN) |
143278 |
| Title of a work |
Hannya Shingyo |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Alonso Mirón, Miguel Ángel |
| Relator term |
Piano |
| 9 (RLIN) |
34657 |
| Title of a work |
Après un Rêve |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
del Monte, Dino |
| Dates associated with a name |
1945- |
| Relator term |
Zimbal |
| 9 (RLIN) |
127317 |
| Title of a work |
Shokunina |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
del Monte, Dino |
| Dates associated with a name |
1945- |
| Relator term |
Zimbal |
| 9 (RLIN) |
127317 |
| Title of a work |
Chama Chamana |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Bonet, Eugeni |
| Dates associated with a name |
1954- |
| Relator term |
Vídeo |
| 9 (RLIN) |
125233 |
| Title of a work |
Desasosiego |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Bonet, Eugeni |
| Dates associated with a name |
1954- |
| Relator term |
Vídeo |
| 9 (RLIN) |
125233 |
| Title of a work |
In Principio |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Ninou, Mayte |
| Dates associated with a name |
1960- |
| Relator term |
Vídeo |
| 9 (RLIN) |
143279 |
| Title of a work |
Desasosiego |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Ninou, Mayte |
| Dates associated with a name |
1960- |
| Relator term |
Vídeo |
| 9 (RLIN) |
143279 |
| Title of a work |
In Principio |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
| Uniform Resource Identifier |
<a href="https://www.teatroscanal.com/espectaculo/fatimamirandatc2324/">https://www.teatroscanal.com/espectaculo/fatimamirandatc2324/</a> |
| Link text |
Más información |
| 856 #2 - ELECTRONIC LOCATION AND ACCESS |
| Uniform Resource Identifier |
<a href="https://bibliotecacdt.mcu.es/cgi-bin/koha/opac-retrieve-file.pl?id=a50f9de346d508da5b325fa654bb2a31">https://bibliotecacdt.mcu.es/cgi-bin/koha/opac-retrieve-file.pl?id=a50f9de346d508da5b325fa654bb2a31</a> |
| Link text |
Programa de mano |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Koha item type |
Videograbaciones |
| Source of classification or shelving scheme |
Universal Decimal Classification |