Dancing to Utopia (Registro nro. 85332)

Detalles MARC
000 -LEADER
fixed length control field 01816nab a22002417c 4500
001 - CONTROL NUMBER
control field myd_28659
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092950.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003t20049999stk||||| |||| 00| 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
Language of cataloging spa
Description conventions rdc
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC)
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) PP Dance Research 2004 (nº 22.2)
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Counsell, Colin
9 (RLIN) 130271
245 ## - TITLE STATEMENT
Title Dancing to Utopia
Remainder of title Modernity, Community and the Movement Choir
Statement of responsibility, etc Colin Counsell
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Edinburgh University Press,
Date of publication, distribution, etc 2004
Place of publication, distribution, etc Edinburgh
300 ## - PHYSICAL DESCRIPTION
Extent 14 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: Established by dance and movement theorist Rudolf Laban, the Bewegungschören or "movement choirs" of the 1920s and 1930s were a spectacularly visible element of German national culture. A network of amateur clubs, each run by a graduate of Laban's schools, the choirs were modern, urban phenomena, operating in cities and large towns against the backdrop of German industrial society. Their membership represented that society's diversity, for although choir leaders and many dancers were drawn from the educated middle class, those traditionally concerned with cultural generation and preservation, anecdotal evidence suggests they also recruited from the industrial working classes. Their amateur status was central to their aims, such that, as initially conceived, choir works were to have no audience. Although groups quickly became involved in public performance, taking part in community festivals and celebrations, their works were originally envisioned as an end in themselves, an experience for those talking part.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Actividad dancística
9 (RLIN) 114714
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Nazismo
9 (RLIN) 115796
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Socialismo
9 (RLIN) 130272
773 0# - HOST ITEM ENTRY
Other item identifier 0000000009225
Title Dance research
Record control number myd_16032
International Standard Serial Number 0264-2875
Relationship information Vol. 22, núm. 2, Winter 2004, p. 154-167
Host Biblionumber 72889
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 28659
b 28659
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Other/Generic Classification Scheme
Koha item type Artículos de revista

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