Nature, Culture, Myth, and the musician in Early Modern England (Registro nro. 89053)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01790nab a2200193 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_33332 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240923093559.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s1998 sp ||||fr 00| u|spa u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Phyllis Austern, Linda |
| 9 (RLIN) | 131154 |
| 245 1# - TITLE STATEMENT | |
| Title | Nature, Culture, Myth, and the musician in Early Modern England |
| Statement of responsibility, etc | Linda Phyllis Austern |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 1998: |
| Name of publisher, distributor, etc | American Musicological Society], |
| Place of publication, distribution, etc | [Richmond (Va) |
| 300 ## - PHYSICAL DESCRIPTION | |
| Dimensions | 48 páginas |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | In sixteenth- and seventeenth-century England, music was often considered an aspect of natural philosophy, the general study of natural and cultural phenomena that had been inherited from classical antiquity and the Middle Ages, but was undergoing rapid metamorphosis into more modern fields of science, technology, and the arts. Against this background, many writers began to invoke machine metaphors and the triumph of cultural products over raw nature and Nature's corollaries in the form of women and animals. Older epistemologies of magic and metaphor, which had also incorporated gendered ideas of artifice, perfection, nature, and creation, informed these emerging ideas. The result on the one hand was a practice of secular musical composition that included sounds from the natural world as feminine novelties to be bounded and improved by stylistic artifice. On the other was a documentary allegorization of music that drew from chronicle history, mythology, natural science, religion, and politics to demonstrate the moral and aesthetic superiority of music and musicians that elevated natural elements into enduring musical artifice. |
| 773 0# - HOST ITEM ENTRY | |
| Title | Journal of the American Musicological Society |
| Host Biblionumber | 72899 |
| Record control number | Myd_16042 |
| Relationship information | Vol. 51, núm. 1, 1998, Spring, p. 1-47 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 33332 |
| b | 33332 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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