Wagner, Deafness, and the Reception of Beethoven's Late Style (Registro nro. 89054)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01852nab a2200241 c 4500 |
| 001 - CONTROL NUMBER | |
| control field | myd_33333 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | ES-MaCDM |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240923093559.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 181003s1998 -us||||fr 00| u|eng u |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | ES-MaCDM |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Knittel, K. M. |
| 9 (RLIN) | 131196 |
| 245 1# - TITLE STATEMENT | |
| Title | Wagner, Deafness, and the Reception of Beethoven's Late Style |
| Statement of responsibility, etc | K.M. Knittel |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | [Richmond (Va)]: |
| Name of publisher, distributor, etc | [American Musicological Society], |
| Date of publication, distribution, etc | 1998 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Dimensions | 34 páginas |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | The belief that Beethoven's "late" or "third-period" works represent the pinnacle of his achievement is at odds with the earliest critical views of these pieces. In the decades just following the composer's death, critics could not separate the perceived musical problems of the late style from Beethoven's physical ailments. While the common explanation for the elevation of these last pieces to their current position of privilege has been a musical one-the works were written before their time, demanding considerable study before they were fully understood and appreciated-I propose that it was a new understanding of Beethoven's biography that led to their veneration. Richard Wagner, in his 1870 Beethoven essay, radically reinterpreted the influence of deafness, claiming that it was in fact the source of Beethoven's creativity and genius. This paper explores Wagner's romanticization of Beethoven's deafness and speculates as to why such a paradoxical position may have appealed not just to Wagner, but to the critics who followed him. |
| 600 14 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Beethoven, Ludwig van |
| Dates associated with a name | 1770-1827 |
| 9 (RLIN) | 101391 |
| 600 14 - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Wagner, Richard |
| Dates associated with a name | 1813-1883 |
| 9 (RLIN) | 103700 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Discapacidades físicas |
| 9 (RLIN) | 119578 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Sordera |
| 9 (RLIN) | 139050 |
| 773 0# - HOST ITEM ENTRY | |
| Title | Journal of the American Musicological Society |
| Host Biblionumber | 72899 |
| Record control number | Myd_16042 |
| Relationship information | Vol. 51, núm. 1, 1998, p. 49 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) | |
| a | 33333 |
| b | 33333 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Artículos de revista |
| Source of classification or shelving scheme | Other/Generic Classification Scheme |
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