Entrada Nombre de entidad

Número de registros utilizados en: 1

001 - CONTROL NUMBER

• control field: 141894

003 - CONTROL NUMBER IDENTIFIER

• control field: ES-MaCDM

005 - DATE AND TIME OF LATEST TRANSACTION

• control field: 20240829112632.0

008 - FIXED-LENGTH DATA ELEMENTS

• fixed length control field: 220722|| aca||aabn | a|a d

040 ## - CATALOGING SOURCE

• Original cataloging agency: ES-MaCDM

110 ## - HEADING--CORPORATE NAME

• Corporate name or jurisdiction name as entry element: Bat-Dor Dance Company

500 ## - SEE ALSO FROM TRACING--PERSONAL NAME

• Personal name: Ordman, Jeannette

670 ## - SOURCE DATA FOUND

• Source citation: Bat-Dor era una compañía de danza israelí con sede en Tel Aviv, Israel, cofundada por la baronesa Bethsabée de Rothschild y la bailarina Jeannette Ordman.
• Information found: Israeli dance company based in Tel Aviv, co-founded by Baroness Bethsabee de Rothschild and the South African dancer Jeannette Ordman. It made its debut in 1968 under the direction of Ordman, who was also its leading dancer. The company acquired a broad repertoire of modern works by choreographers including Tudor, van Dantzig, Lubovitch, Ailey, Jamison, and the Israeli choreographers Domy Reiter-Soffer, Igal Perry, and Ido Tadmor. After the death of Martha Graham it also acquired the performing rights to some of her works. However it was always in competition with Batsheva Dance Company (also originally founded by Rothschild), and after Rothschild's death, Bat-Dor suffered extreme financial difficulties. It closed down in 2001, although Ordman continued to run its associate school.
• Uniform Resource Identifier: https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095451116 https://www.jewishvirtuallibrary.org/batsheva-and-bat-dor-dance-companies

670 ## - SOURCE DATA FOUND

• Information found: ORDMAN, JEANNETTE, Israeli ballet dancer and teacher; director of the Bat-Dor Dance Company and school. Born in Germiston, South Africa, her family moved to Johannesburg where she studied dance with Reina Berman and later with Marjorie Sturman, founder of the Johannesburg Festival Ballet (which became the Pact Ballet). She was still in her teens when Anton Dolin who had come to advise on dance selected her to dance the title role in Giselle.