From the Other Shore Russian Comment on Diaghilev's Ballets Russes Stanley J. Rabinowitz
Tipo de material: ArtículoDetalles de publicación: 2009 Edinburgh: Edinburgh University Press,Descripción: 27 p En: Dance Research Vol. 27, núm. 1, Summer 2009, p. 1 - 27Resumen: RESUMEN: Among the many and varied critical responses to Diaghilev's Ballets Russes, two Russian voices have not been heard in the West-Akim Volynskii's (on the right) and Anatolii Lunacharskii's (on the left). The former, Petersburg-based ballet critic from 1911 to 1925, followed the Russian Seasons with anxious dismay as so many stars of the Mariinskii Theatre departed for Paris; the latter, Soviet Russia's Commissar for Enlightenment between 1917 and 1929, witnessed Diaghilev's enterprise first-hand-both before World War I and after-and wrote about it with a mixture of admiration and class-conscious disapproval. These critics' observations are offered in English translation for the first time.RESUMEN: Among the many and varied critical responses to Diaghilev's Ballets Russes, two Russian voices have not been heard in the West-Akim Volynskii's (on the right) and Anatolii Lunacharskii's (on the left). The former, Petersburg-based ballet critic from 1911 to 1925, followed the Russian Seasons with anxious dismay as so many stars of the Mariinskii Theatre departed for Paris; the latter, Soviet Russia's Commissar for Enlightenment between 1917 and 1929, witnessed Diaghilev's enterprise first-hand-both before World War I and after-and wrote about it with a mixture of admiration and class-conscious disapproval. These critics' observations are offered in English translation for the first time.
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