A music club for freemasons Philo-musicae et -architecturae societas Apollini, London, 1725-1727 PINK, Andrew

Por: Tipo de material: ArtículoArtículoDetalles de publicación: 2010: Oxford University Press, London; Oxford En: Early Music Vol. 38, núm. 4,Nov. 2010, p. 523Resumen: RESUMEN: On 1 February 1725, Francesco Geminiani became a freemason in London, and soon afterwards was involved in the setting up and running of a masonic lodge whose members shared a love for the performance or Otalian instrumental music. The lodge´s minute book survives in the British Library, but hitherto has received little attention from music historians. Although the lodge was short-lived- its record end in 1727- the minute book allows us a fascinating glimpse into the world of middle-class men´s amateur music-making in early 18th-century London, their taste for the new, and their cultural aspirations. Keywords: concerto;18th-century freemason: Francesco Geminiani; London; masculinity; musicians, masonic
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RESUMEN: On 1 February 1725, Francesco Geminiani became a freemason in London, and soon afterwards was involved in the setting up and running of a masonic lodge whose members shared a love for the performance or Otalian instrumental music. The lodge´s minute book survives in the British Library, but hitherto has received little attention from music historians. Although the lodge was short-lived- its record end in 1727- the minute book allows us a fascinating glimpse into the world of middle-class men´s amateur music-making in early 18th-century London, their taste for the new, and their cultural aspirations. Keywords: concerto;18th-century freemason: Francesco Geminiani; London; masculinity; musicians, masonic

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