'si chiama fagotto' Concerning a drawing of musical instruments by Giovanni Ricamatori, otherwise known as Giovanni da Udine Kirnbauer, Martin

Por: Tipo de material: ArtículoArtículoDetalles de publicación: 2011: Oxford University Press, London; Oxford En: Early Music Vol. 39, núm. 2,May. 2011, p. 217Resumen: RESUMEN: This is an iconographical study of a hitherto overlooked drawing attributed Giovanni Ricamatori in Berlin, showing different musical instruments: a violin, a crumhorn, a tabor pipe and a puzzling "fagotto"- tha name give on the drawing foe the depicted instrument. Unfortunately the drawing is cut here and one can only speculate which instrument is meant. An organological discussion of all these "new" instruments from tha 16 th century leads to a revision of the date for the drawing (1514-15) proposed by art historians. Keywords: Giovanni Ricamatori, Giovanni da Udine, iconography, instruments, fagotto, dulcian, tanante, doppione, sordune, phangotum, recorderm violin, crumhorn.
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RESUMEN: This is an iconographical study of a hitherto overlooked drawing attributed Giovanni Ricamatori in Berlin, showing different musical instruments: a violin, a crumhorn, a tabor pipe and a puzzling "fagotto"- tha name give on the drawing foe the depicted instrument. Unfortunately the drawing is cut here and one can only speculate which instrument is meant. An organological discussion of all these "new" instruments from tha 16 th century leads to a revision of the date for the drawing (1514-15) proposed by art historians. Keywords: Giovanni Ricamatori, Giovanni da Udine, iconography, instruments, fagotto, dulcian, tanante, doppione, sordune, phangotum, recorderm violin, crumhorn.

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