Crafted by Many Hands Lynn Garafola Re-Reading Bronislava Nijinska's Early Memoirs
Tipo de material:
ArtículoDetalles de publicación: 2011 Edinburgh: Edinburgh University Press,Descripción: 19 p
En: Dance Research Vol. 29, núm. 1, Summer 2011, p. 1 - 18Resumen: RESUMEN: In 1981 Bronislava Nijinska´s Early Memoirs, the last autobiography by a major figure in Diaguilev´s Ballets Russes, was published to near universal acclaim. However, as the choreographer´s notes, drafts, and early autobiographical manuscripts make clear, Early Memoirs is a composite work, crafted by multiple hands and harbouring within itself alternative and even contradictory readings of the dominant story. In a field that privileges first person testimony, the composite nature of most dance autobiographies is highly problematic, at once undermining their narrative authority and forcing recognition of what might be called their multivocality. Early Memoirs, like other volumes of dance autobiagraphy, belong both to Nijinska and to her interpreters, even if their interest do not always coincide.
RESUMEN: In 1981 Bronislava Nijinska´s Early Memoirs, the last autobiography by a major figure in Diaguilev´s Ballets Russes, was published to near universal acclaim. However, as the choreographer´s notes, drafts, and early autobiographical manuscripts make clear, Early Memoirs is a composite work, crafted by multiple hands and harbouring within itself alternative and even contradictory readings of the dominant story. In a field that privileges first person testimony, the composite nature of most dance autobiographies is highly problematic, at once undermining their narrative authority and forcing recognition of what might be called their multivocality. Early Memoirs, like other volumes of dance autobiagraphy, belong both to Nijinska and to her interpreters, even if their interest do not always coincide.