The Italian experience of the Holy Roman Emperor Charles IV Musical and literary aspects Elena Abramov-Van Rijk
Tipo de material:
ArtículoDetalles de publicación: Cambridge University Press, 2018 CambridgeDescripción: 44 p
En: Early Music History Vol. 37, p. 1-44Resumen: Resumen: The Italians had conflicting sentiments regarding the visit of the Holy Roman Empiror Charles IV in Italy in 1355; from the enthusiasticexpectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even to overt disdain. Two Italian Trecento madrigals have traditionally been considered to refer to this visit: (1) the three-voice polytextual madrigal Aquil altera/ Creatura gentil/ Uccel di Dio by Jacopo da Bologna, seen as related to Charles's coronation with the Iron Crown of Lombardy in Milan; and (2) the two-voice madrigal Sovran uccello by Donato da Firenze, considered a celebratory piece for Charles's coronation as well. This essay explores the relevant historical contexts, Milanese for Jacopo's madrigal and Florentine for Donato's. with a view to placing both pieces.
| Tipo de ítem | Biblioteca actual | Colección | Ubicación en estantería | Signatura topográfica | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | |
|---|---|---|---|---|---|---|---|---|---|---|
Videograbaciones
|
Biblioteca Teatro y Circo | Videograbaciones Teatro-Circo | Argumosa | 9792 | 5 | Uso interno | Copia formato: mp4 | VID97920005 |
Resumen: The Italians had conflicting sentiments regarding the visit of the Holy Roman Empiror Charles IV in Italy in 1355; from the enthusiasticexpectations of the impact the Emperor would have on the local political life to contemptuous scepticism and even to overt disdain. Two Italian Trecento madrigals have traditionally been considered to refer to this visit: (1) the three-voice polytextual madrigal Aquil altera/ Creatura gentil/ Uccel di Dio by Jacopo da Bologna, seen as related to Charles's coronation with the Iron Crown of Lombardy in Milan; and (2) the two-voice madrigal Sovran uccello by Donato da Firenze, considered a celebratory piece for Charles's coronation as well. This essay explores the relevant historical contexts, Milanese for Jacopo's madrigal and Florentine for Donato's. with a view to placing both pieces.