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Music and propaganda in the short twentieth century / edited by Massimiliano Sala

Colaborador(es): Tipo de material: TextoTextoSeries Speculum musicae ; 22Turnhout: Brepols, 2014Descripción: XII, 471 páginas : ilustraciones ; 27 cmTipo de contenido:
  • Texto (visual)
Tipo de medio:
  • sin mediación
ISBN:
  • 9782503552460
Tema(s):
Contenidos:
Contiene: Overview: Réflexions sur les rapports entre musique et propagande/ Luis Velasco Pufleau. -- Western Europe: Appeasing Hitler? Anglo-German Music Relations, 1933-1939/ Erik Levi. -- "Happy Hour in the Afternoon" and "Station Debunk": two nazi jazz proyects of world war II/ Will Studdert. -- Frank Capra's Job in Germany: evoking cautious suspicion through German Musical Reassurance/ Laurie Ruth Semmes. -- Singing the Right Message: song and controversy in East Germany/ Lindsay J. Hansen. -- Eastern Europe: The totalitarian rhetoric of "struggle": March Rhythms in the service of propaganda and ideological indoctrination in Poland under Stalinist Dictatorship (1949-1956)/ Andrzej Tuchowski. -- Music as a carrier of ideas: the example of postwar polish music/ Hana Sisková. -- Celebrating the October Revolution in Music: a political event?/ Louisa Martin-Chevalier. -- Music historiography and propaganda in the first half of the 20th century: the croatian example/ Sanja Majer-Bobetko. -- Musica e propaganda politica: il ruolo e la retorica della stampa quotidiana nella vita musicale di Pola e dell'Istria nel periodo tra le due guerre mondiali (1926-1943)/ Lada Durakovic. -- Music and propaganda after world war II: Example of the Socialist Federal Republic of Yugoslavia/ Valentina Radoman. -- Mass song as a key product of Yugoslav Music Propaganda/ Vesna Mikic. -- Souther Europe: Propaganda di sinistra: l'esperienza di "Cantacronache" (1958-1962)/ Daniela Gangale. -- "Aber gewisse Dinge stehen gar nicht drin" (But Certain Things Aren't at All There): On a German Conductor, a Portuguese Symphony, and the Elephant in the Room/ Paulo Ferreira de Castro. -- Composing for Dance during the Estado Novo Dictatorship: a case study/Helena Marinho. -- Voices, strategies and practices of propaganda: music and artistic culture at the service of the state during Francoism/ Gemma Pérez Zalduondo, María Isabel Cabrera García. -- De Don Quijote a Dulcinea: Dimensión política de las adaptaciones musicales cervantinas en el primer franquismo (1939-1950)/ Juan José Pastor Comín. -- Las armas de Terpsícore en la recuperación diplomática del franquismo. Coros y Danzas de España en la Argentina de Perón (1948)/ Beatriz Martínez del Fresno. -- La música española en los años cincuenta: el Premio de Composición "Samuel Ros" como reflejo de las políticas del régimen franquista y la transición hacia las nuevas estéticas compositivas/ Francisco José Fernández Vicedo. -- "Problematized" music. Notes on the reception of "Avant-garde" Symphonic music during the Franco Years (1952-1969)/ Belén Pérez Castillo. -- To win freedom...music composition and political commitment in Spain during the Last Years of Francoism (1969-1975)/ Germán Gan Quesada. -- Mundo y formas del cante flamenco cincuenta años después: identidades del flamenco en el último franquismo/ Pedro Ordóñez Eslava. -- South Africa: Lieder sind Brüder der Revolution: an ideology-critical approach to the use of song as a vehicle for propaganda/ Charla Schutte. -- Songs, singing and spaces in South Africa: Afrikaans Folk Songs in Nationalist Publications/ Annemie Stimie. -- Shostakovich, Jump through the Window!: Dmitry Shostakovich and the Opening of the Cold War Propaganda Battle in Time and Life Magazines/ Harry Vanderlist. -- Finish it-Whatever it takes: Musical Propaganda in Political Ads from Bush's 2004 U.S. Presidential Campaign/ Paul Christiansen. -- Re-(nova)-volu-tion: The Members of the Grupo de Renovación Musical before the Cuban Revolution and afterwards/ Belén Vega Pichaco. -- Music and propaganda: contexts and repertoires in the second half of the 20th century in Uruguay/ Marita Fornaro Bordolli.
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Biografías: página 449-454

Índices.

Contiene: Overview: Réflexions sur les rapports entre musique et propagande/ Luis Velasco Pufleau. -- Western Europe: Appeasing Hitler? Anglo-German Music Relations, 1933-1939/ Erik Levi. -- "Happy Hour in the Afternoon" and "Station Debunk": two nazi jazz proyects of world war II/ Will Studdert. -- Frank Capra's Job in Germany: evoking cautious suspicion through German Musical Reassurance/ Laurie Ruth Semmes. -- Singing the Right Message: song and controversy in East Germany/ Lindsay J. Hansen. -- Eastern Europe: The totalitarian rhetoric of "struggle": March Rhythms in the service of propaganda and ideological indoctrination in Poland under Stalinist Dictatorship (1949-1956)/ Andrzej Tuchowski. -- Music as a carrier of ideas: the example of postwar polish music/ Hana Sisková. -- Celebrating the October Revolution in Music: a political event?/ Louisa Martin-Chevalier. -- Music historiography and propaganda in the first half of the 20th century: the croatian example/ Sanja Majer-Bobetko. -- Musica e propaganda politica: il ruolo e la retorica della stampa quotidiana nella vita musicale di Pola e dell'Istria nel periodo tra le due guerre mondiali (1926-1943)/ Lada Durakovic. -- Music and propaganda after world war II: Example of the Socialist Federal Republic of Yugoslavia/ Valentina Radoman. -- Mass song as a key product of Yugoslav Music Propaganda/ Vesna Mikic. -- Souther Europe: Propaganda di sinistra: l'esperienza di "Cantacronache" (1958-1962)/ Daniela Gangale. -- "Aber gewisse Dinge stehen gar nicht drin" (But Certain Things Aren't at All There): On a German Conductor, a Portuguese Symphony, and the Elephant in the Room/ Paulo Ferreira de Castro. -- Composing for Dance during the Estado Novo Dictatorship: a case study/Helena Marinho. -- Voices, strategies and practices of propaganda: music and artistic culture at the service of the state during Francoism/ Gemma Pérez Zalduondo, María Isabel Cabrera García. -- De Don Quijote a Dulcinea: Dimensión política de las adaptaciones musicales cervantinas en el primer franquismo (1939-1950)/ Juan José Pastor Comín. -- Las armas de Terpsícore en la recuperación diplomática del franquismo. Coros y Danzas de España en la Argentina de Perón (1948)/ Beatriz Martínez del Fresno. -- La música española en los años cincuenta: el Premio de Composición "Samuel Ros" como reflejo de las políticas del régimen franquista y la transición hacia las nuevas estéticas compositivas/ Francisco José Fernández Vicedo. -- "Problematized" music. Notes on the reception of "Avant-garde" Symphonic music during the Franco Years (1952-1969)/ Belén Pérez Castillo. -- To win freedom...music composition and political commitment in Spain during the Last Years of Francoism (1969-1975)/ Germán Gan Quesada. -- Mundo y formas del cante flamenco cincuenta años después: identidades del flamenco en el último franquismo/ Pedro Ordóñez Eslava. -- South Africa: Lieder sind Brüder der Revolution: an ideology-critical approach to the use of song as a vehicle for propaganda/ Charla Schutte. -- Songs, singing and spaces in South Africa: Afrikaans Folk Songs in Nationalist Publications/ Annemie Stimie. -- Shostakovich, Jump through the Window!: Dmitry Shostakovich and the Opening of the Cold War Propaganda Battle in Time and Life Magazines/ Harry Vanderlist. -- Finish it-Whatever it takes: Musical Propaganda in Political Ads from Bush's 2004 U.S. Presidential Campaign/ Paul Christiansen. -- Re-(nova)-volu-tion: The Members of the Grupo de Renovación Musical before the Cuban Revolution and afterwards/ Belén Vega Pichaco. -- Music and propaganda: contexts and repertoires in the second half of the 20th century in Uruguay/ Marita Fornaro Bordolli.

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