Bourdieu, The Body, and Graham's Post-War Dance / Gay Morris
.-- Edinburgh: : Edinburgh University Press, , 2001
31 p.
Dance Research -- Vol. 19, núm. 2, Winter 2001, p. 52 - 82
RESUMEN: This paper has a two-fold purpose: first, to demonstrate how Pierre Bourdieu's bodily theory might be of use in dance studies and, second, how Bourdieu's ideas, augmented and enlarged by dance theory, can be applied to a specific case. My example is drawn from recent research on the American dance vanguard during the post-World War II period (1945-1960). It focuses on the relationship between the body and the social in Martha Graham's Night Journey (1947).