Contrapassi in Fifteenth-century Italian Dance Reconsidered David Wilson (Review Response)

Por: Tipo de material: ArtículoArtículoDetalles de publicación: 2006 Edinburgh: Edinburgh University Press,Descripción: 6 p En: Dance Research Vol. 24, núm. 1,Summer 2006, p. 60 - 65Resumen: RESUMEN: In their exhaustive survey of contrapassi and "doppi on one foot" in fifteenth-century Italian balli in the last volume of Dance Research, Lo Monaco and Vinciguerra present a novel and thought-provoking model for the development of these puzzling steps. Its great value lies in opening up new ways of looking at the detailed organisation of step in such dances; but whether this has any relevance to contrapassi is quite another matter, and many will remain sceptical.
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RESUMEN: In their exhaustive survey of contrapassi and "doppi on one foot" in fifteenth-century Italian balli in the last volume of Dance Research, Lo Monaco and Vinciguerra present a novel and thought-provoking model for the development of these puzzling steps. Its great value lies in opening up new ways of looking at the detailed organisation of step in such dances; but whether this has any relevance to contrapassi is quite another matter, and many will remain sceptical.