Divine Punishment or Disease? Lynneth J.Miller Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague

Por: Tipo de material: ArtículoArtículoDetalles de publicación: 2017 Edinburgh: Edinburgh University Press,Descripción: 16 p En: Dance Research Vol. 35, núm. 2, Winter 2017, p. 149 - 164Resumen: RESUMEN: Using writings from observers of the 1518 Strasbourg dancing plague, this article explores the various understandings of dancing mania, disease, and divine judgment applied to the dancing plague's interpretation and treatment. It argues that the 1518 Strasbourg dancing plague reflects new currents of thought, but remains closely linked to medieval philosophies; it was an event trapped between medieval and modern ideologies and treated according to two very different systems of belief. Understanding the ways in which observers comprehended the dancing plague provides insight into the ways in which, during the early modern period, new perceptions of the relationship between humanity and the divine developed and older conceptions of the body and disease began to change, while at the same time, ideologies surrounding dance and its relationship to sinful behavior remained consistent. PALABRAS CLAVE: dancing plague, religion, medieval, early modern, Paracelsus, Strasbourg.
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RESUMEN: Using writings from observers of the 1518 Strasbourg dancing plague, this article explores the various understandings of dancing mania, disease, and divine judgment applied to the dancing plague's interpretation and treatment. It argues that the 1518 Strasbourg dancing plague reflects new currents of thought, but remains closely linked to medieval philosophies; it was an event trapped between medieval and modern ideologies and treated according to two very different systems of belief. Understanding the ways in which observers comprehended the dancing plague provides insight into the ways in which, during the early modern period, new perceptions of the relationship between humanity and the divine developed and older conceptions of the body and disease began to change, while at the same time, ideologies surrounding dance and its relationship to sinful behavior remained consistent. PALABRAS CLAVE: dancing plague, religion, medieval, early modern, Paracelsus, Strasbourg.