Performance studies / edited by Erin Striff
Tipo de material:![Texto](/opac-tmpl/lib/famfamfam/BK.png)
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Tipo de ítem | Biblioteca actual | Ubicación en estantería | Signatura topográfica | Estado | Fecha de vencimiento | Código de barras | |
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CDAEM | Argumosa | C \ PAL \ PER STU | Disponible | 13622 |
Bibliografía. Índice.
Part I: Popular Performance The Power Team: Muscular Christianity and the Spectacle of Conversion. S. Mazer Ethnological Show Business: Footlighting the Dark Continent. B. Lindfors Striptease: Desire, Mimetic Jeopardy, and Performing Spectators. K. Liepe-Levinson -- Part II: Performing Bodies, Performance Art The Surgical Self: Body Alteration and Identity. P. Auslander Reconsidering Homophobia: Karen Finley's Indiscretions. L. Hart -- Part II: Performing Histories/Memories Spectacular Suffering: Performing Presence, Absence and Witness at the U.S. Holocaust Memorial Museum. V.M. Patraka Hearing Anita Hill and Clarence Tomas. P. Phelan -- Part IV: Performance and the World The Street is the Stage. R. Schechner Culture and Performance in the Circum-Atlantic World. J. Roach Jewels Brought Back from Bondage: Black Music and the Politics of Authenticity. P. Gilroy -- Part V: Performativity/Performance Critically Queer. J. Butler Choreographies of Gender. S.L. Foster
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