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001			myd_58440
003			ES-MaCDM
005			20241001092950.0
008			181003s2000 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aBennett, Toby _9101436
245	0		_aMime in the Ceccehtti "Method" _cToby Bennett; Giannandrea Poesio
260			_c2000 _aEdinburgh: _bEdinburgh University Press,
300			_a13 p.
520			_aRESUMEN: In an 1891 letter to the Director of the Imperial ballet in St. Petersburg, the Italian dance artist Enrico Cecchetti declined the invitation to become repetiteur for the young boys' class, claiming that he was a maestro di perfezionamento, namely a ballet master who coached only professional or semi-professional dancers. Although at the time Cecchetti had little teaching experience, it is clear that he already saw himself continuing in the tradition of Giovanni Lepri. The duty of the maestro di perfezionamento was to refine the already accomplished skills of those who attended his/her classes, hence it was a pre-condition that such a post could only be occupied by an experienced and talented dancer, able to impart the secrets of performance tradition.
700	1		_aPoesio, Giannandrea _9133816
773	0		_tDance Research _wmyd_16032 _gVol. 18, núm. 1, Summer 2000, p. 31 - 43 _072889
903			_a58440 _b58440
942			_cART _2z
999			_c103629 _d103629