000			01630nab a2200193 c 4500
001			myd_58445
003			ES-MaCDM
005			20241001092950.0
008			181003s2001 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aMorris, Geraldine _9133817
245			_aDance Partnerships _bAshton and his dancers _cGeraldine Morris
260			_aEdinburgh: _bEdinburgh University Press, _c2001
300			_a49 p.
520			_aRESUMEN: For some choreographers the dancer is little more than an object, a neutral body to be fitted into a pre-arranged pattern of steps. For others, the dancer is the catalyst whose presence stimulates the creation of the dance. In the dance movement of certain choreographers, the influence of the dancer is conspicuous and the dancer's movement style becomes the inspiration for the movement of the dance; it is into this latter category that Ashton falls. He needed the co-operation of the dancer to fashion his dances, making their strengths and skills a significant part of his dance movement style. This article explores that relationship. It examines the dance movement he created with specific dancers and the ways in which he manipulates certain key phrase patterns to draw attention to and amplify their talents. As a consequence, their own dance style forms an aspect of Ashton's. Recognising this collaboration and its effect on the dance movement style can provide future dancers with a rich vein of material for performance interpretation.
773	0		_tDance Research _wmyd_16032 _gVol. 19, núm. 1, Summer 2001, p. 11 -59 _072889
903			_a58445 _b58445
942			_cART _2z
999			_c103633 _d103633