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| 001 | myd_58573 | ||
| 003 | ES-MaCDM | ||
| 005 | 20240919110545.0 | ||
| 008 | 181003s1998 enk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aArcher, Kenneth _9101115 |
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_aSwedish ultramodern _b Kenneth Archer and Millicent Hodson consider Jean Börlin's ballets _cKenneth Archer; Millicent Hodson |
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_c1998: _bDance Books Ltd., _aAlton,Hampshire (UK) |
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| 300 | _a8 p. | ||
| 500 | _aContiene cuatro apartados: - Swedes versus Slavs. - Character dance and Dalcroze. - The geometrical ballets. - The processional dances. | ||
| 520 | _aIn this article, we have associated Dervishes (1920) with Skating Rink (1922) for their use of geometrical formalism, which we regard as one genre of Börlin's choreography. Man and His Desire (1921) and Within the Quota (1923) we have linked for their exploration of processional choreography. The geometrical ballets, largely through circular forms, make the most of volume, while the processional ones contrast horizontal dances with emphatically vertical decors. PALABRAS CLAVE: Jean Börlin, Man and His Desire, Within the Quota, Dervishes, Skating Rink, El Greco. | ||
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_aHodson, Millicent _9133820 |
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_tDance Now _074546 _wmyd_17706 _gVol. 7, núm. 1, Spring 1998, p. 48 - 55 |
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_a58573 _b58573 |
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_c103745 _d103745 |
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