| 000 | 01138nab a2200217 c 4500 | ||
|---|---|---|---|
| 001 | myd_58599 | ||
| 003 | ES-MaCDM | ||
| 005 | 20240919110546.0 | ||
| 008 | 181003s2000 enk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aJackson, Paul R. W. _9137131 |
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| 245 | 0 |
_aBritish Dance 2000 _b Paul Jackson at Newcastle's showcase of British contemporary dance _cPaul Jackson |
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| 264 |
_aAlton,Hampshire (UK) _bDance Books _c2000 |
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| 300 | _a7 p. | ||
| 336 | _aTexto (visual) | ||
| 337 | _aSin mediación | ||
| 520 | _aPALABRAS CLAVE: British Dance Festival, 2000, Bi Ma Company, Pit Fong Loh, From Soho to Shinjuku, Duet for Four, Fin Walker, Scottish Dance Theatre, She Is as He Eats, Maximum Machine, Yolande Snaith, Jan de Schynkel, Protein Dance, Portrait with Group and Duck, Intimate Gold, John Scott, Wendy Houstoun, Happy Hour, Aphasia Dance Company, In the Emptiness, Tête, Jasmin Vardimon, Aletta Collins, Alice is Back in Wonderland, Strange Glitter, Liv Lorent, Bagnolet platform. | ||
| 773 | 0 |
_tDance Now _074546 _wmyd_17706 _gVol. 9, núm. 1, Spring 2000, p. 68 - 74 |
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| 903 |
_a58599 _b58599 |
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| 942 |
_cART _2z |
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| 999 |
_c103768 _d103768 |
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