| 000 | 00957nab a2200217 c 4500 | ||
|---|---|---|---|
| 001 | myd_58618 | ||
| 003 | ES-MaCDM | ||
| 005 | 20240919110548.0 | ||
| 008 | 181003s2000 enk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aNeufeld, James E. _d1944- _9102782 |
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| 245 | 0 |
_aMr.K, Mr.G, Mr. B _cJames Neufeld _b National Ballet of Canada highs and lows, 1999-2000 |
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| 264 |
_aAlton,Hampshire (UK) _bDance Books _c2000 |
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| 300 | _a6 p. | ||
| 336 | _aTexto (visual) | ||
| 337 | _aSin mediación | ||
| 520 | _aNational Ballet of Canada observed. Balanchine teaches his audience to look at the classics in a new way; his innovation alters our relationship with the past. PALABRAS CLAVE: National Ballet of Canada, James Kudelka, Kimberly Glasco, Glenn Gould, Onegin, Disembodied Voice, Goldberg Variations, Jewels. | ||
| 773 | 0 |
_tDance Now _074546 _wmyd_17706 _gVol. 9, núm. 2, Summer 2000, p. 57 - 62 |
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| 903 |
_a58618 _b58618 |
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| 942 |
_cART _2z |
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| 999 |
_c103785 _d103785 |
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