000			01178nab a2200193 c 4500
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005			20241001092951.0
008			181003s2009 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aJärvinen, Hanna _9136301
245	0		_aDancing without Space - On Nijinsky's L'Après-midi d'un Faune (1912) _cHanna Järvinen
260			_c2009 _aEdinburgh: _bEdinburgh University Press,
300			_a37 p.
520			_aRESUMEN: Three-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into a moving, two-dimensional picture. L'Après-midi d'un Faune has achieved notoriety because of the objections some contemporary critics raised against the 'immoral' behaviour of the principal character, but I argue the style of the work brought about an important shift in how dancing was conceptualised as something composed by a choreographic author.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 27, núm. 1,Summer 2009, p. 28 - 64
903			_a81196 _b81196
942			_cART _2z
999			_c119183 _d119183