000			01548nab a2200205 c 4500
001			myd_82642
003			ES-MaCDM
005			20241001092953.0
008			181003s2007 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aShewring, Margaret _9136453
245	0		_aDancing towards death _b Masques and Entertainments in London and Florence as precedents for Thomas Middleton's Women Beware Women _cMargaret Shewring; J.R. Mulryne
260			_c2007 _aEdinburgh: _bEdinburgh University Press,
300			_a10 p.
520			_aRESUMEN: Thomas Middleton's tragedy Women Beware Women (c.1613-21) includes in its fifth act a masque during which the play's miscreants are severally killed and its corrupt society collapses. The masque's debt to Ben Jonson's Hymenaei is discussed, together with its possible recollection of Florentine entertainments, including those staged in 1586 for the wedding of Cesare d' Este with Virginia de' Medici. The play is based on fact, centring on the seduction of Bianca Cappello and her marriage with the Grand Duke Francesco de' Medici. Middleton makes considerable efforts to provide an 'authentic' Florentine setting for his play including, it is suggested, recalling the celebrated series of Medici wedding entertainments and touching on the fascination of an early seventeenth-century elite society with Florentine culture.
700	1		_aMulryne, J.r. _9136454
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 25, núm. 2, Winter 2007, p. 134 - 143
903			_a82642 _b82642
942			_cART _2z
999			_c120337 _d120337