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008			181003s2008 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aFuggle, Sophie _9136477
245			_aDiscourses of Subversion _b The Ethics and Aesthetics of Capoeira and Parkour _cSophie Fuggle
260			_c2008 _aEdinburgh: _bEdinburgh University Press,
520			_aRESUMEN: This article will examine the notion of subversive discourse found in both the Brazilian dance-martial art known as capoeira and the recent urban phenomenon called parkour, looking in detail at the origins and influences of the two disciplines. With reference to capoeira, I will argue that the linguistic structure which underpins the game provides the space for each capoeirista to develop his or her own creative expression or 'personality' within the framework of the discipline. When looking at parkour, I will consider the ways in which it embodies both the notion of flesh in Merleau-Ponty's later writings and how through such an understanding of their bodies and the space around them, practitioners of parkour, known as traceurs, are able to engage in what Foucault refers to as 'technologies of the self'.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 26, núm. 2, Winter 2008, p. 204
903			_a82732 _b82732
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