000			01539nab a2200181 c 4500
001			myd_83735
003			ES-MaCDM
005			20240923093616.0
008			181003s2010 sp ||||fr 00| u|spa u
040			_aES-MaCDM
100	1		_aWalkling, Andrew R. _d1964- _9103706
245	0		_aThe Masque of Actaeon ant the Antimasque of Mercury _b Dance, Dramatic Structure, and Tragic Exposition in Dido and Aeneas. _cWALKLING, Andrew R.
260			_c2010: _bAmerican Musicological Society], _a[Richmond (Va)
520			_aRESUMEN: Problems associated with the main surviving sources of Purcell's Dido and Aeneas (the 1688 "Priest" libretto and GB-Ob MS Tenbury 1266) have resulted in the persistence of fundamental misconceptions regarding the scope and nature of the work. Through a detailed examination of the "deleted dances" and their relationship to other components, such as choruses, it is possible to reconstruct what the original piece may have looked like. This process prompts a reconsideration of the "Grove Scene" in act 2, which is shown to contain a masque-antimasque pair featuring Aeneas in the role of Actaeon and the Sorceress's Spirit playing the part of Mercury. In contrast to the conventional structure in which the masque triumphs over the antimasque, in Dido the opposite is true, a circumstance that underscores and effectuates the tragic nature of the work.
773	0		_tJournal of the American Musicological Society _072899 _wMyd_16042 _gVol. 63, núm. 2,Verano 2010, p. 191
903			_a83735 _b83735
942			_cART
999			_c121037 _d121037