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| 001 | myd_84468 | ||
| 003 | ES-MaCDM | ||
| 005 | 20241010081322.0 | ||
| 008 | 181003s2010 sp ||||fr 00| u|spa u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aChapman, Ian _9136704 |
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_aLuncheon on the Grass with Manet and Bow Wow Wow _b Still disturbing after all these years _cCHAPMAN, Ian |
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_c2010 _aNew York: _bResearch Center for Music Iconography RCMI, |
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| 520 | _aRESUMEN: In 1981, "New Tribalist" band, Bow Wow Wow released their debut album, See Jungle! See Jungle!Go join Your Gang, Yeah! City All Over! Go Ape Crazy. The cover was an elaborately staged photographic reenactment of Manet's 1863 work, Le Déjeneur sur l'herbe, and featured the band members posed in the place of Manet's subjects. The cover caused outrage because the band's lead singer, fifteen-year old Annabelle Lwin, was pictured naked amidst her clothed male band-mates. An examination of other album covers by the band around this time, in conjunction with lyric analysis and consideration of manager Malcolm McLaren's stated intentions and other artistic and commercial interests, show that underage and early teenage sexuality was a central component of the band's artistic raison d'etre. This paper examine how McLaren utilized provocation based upon moral/sexual themes in his fashioning and promotion of Bow Wow Wow. Focussing primarily upon their controversial first album, comparisons are drawn between the reception of the Manet work in 1863 and other historic works that McLaren, a mal well-schooled in art history, deliberately referenced during the time he managed Bow Wow Wow. Despite the passing of more than a century between Manet's work and McLaren's parody, I contend that the nature of the provocation, and the critical reaction that ensued following the presentation of each work, is of a similar nature and that McLaren almost certaintly intended this thematic alliance. | ||
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_aIconografía musical _9114726 |
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_tMusic in Art : International Journal for Music Iconography _081471 _wmyd_24697 _gVol. 35, núm. 1,Spring-Fall 2010, p. 95 |
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_c121558 _d121558 |
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