000			02405nab a2200193 c 4500
001			myd_84473
003			ES-MaCDM
005			20241010081322.0
008			181003s2010 sp ||||fr 00| u|spa u
040			_aES-MaCDM
100	1		_aRostirolla, Giancarlo _9136707
245	0		_aPier Leone Ghezzi disegnatore di antiche lire _bun excursus tra antiquaria, organologia, musicolografia e mito. _cROSTIROLLA, Giancarlo
260			_c2010 _aNew York: _bResearch Center for Music Iconography RCMI,
520			_aRESUMEN: Pier Leone Ghezzi (1674-1755) was mainly active as a visual artist in Rome, where he was in contact with many artists, writers and scholars, and especially with the contemporary world of patronage of which he left memories in his vast graphic production of thousands of portraits and caricatures. Among this oeuvre prevail the protagonists of musical life with more than three hundred items. This dominance is a reflection of the artist's passion for vocal and instrumental music and especially for the opera. However, Ghezzi also cultivated other interests closely related to medicine, scholarship, history, and archeology. In addition he was a collector of artifacts (rings, cameos, and engraved stones) during a period in which Rome, on the one hand, promoted major excavations on Via Appia and when, on the other hand, the important aristocratic families vied for collecting all the prestigious items that came to light in their palaces and gardens as a result of purposeful excavations or of random discoveries. Ghezzi arranged numerous albums with drawings of antiquities. One of these albums invites to connect archeology and music, with their historical scholarly examination. Although some of the drawings in this album that represent lyres and harps, have already been investigated in some specialized studies, the present paper consider them in a systematic manner.This analysis stimulates thoughts on organological and music-iconographic issues but also reveal the knowledge that the eighteenth century had about ancient music and about multifaceted world of symbols and myths in which the art of sounds and its instruments were often the protagonists.
650			_aIconografía musical _9114726
773	0		_tMusic in Art : International Journal for Music Iconography _081471 _wmyd_24697 _gVol. 35, núm. 1,Spring-Fall 2010, p. 157
903			_a84473 _b84473
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999			_c121563 _d121563