000			01535nab a2200193 c 4500
001			myd_84478
003			ES-MaCDM
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008			181003s2010 sp ||||fr 00| u|spa u
040			_aES-MaCDM
100	1		_aAmidon, Catherine S. _9100996
245	0		_aEnrico Riley _b a journey in giant steps _cAMIDON, Catherine S.
260			_c2010 _aNew York: _bResearch Center for Music Iconography RCMI,
520			_aRESUMEN: In a canvas installation entitles Giant Steps (2004), Enrico Riley (b. 1973) paints homage to John Coltrane. Riley works with shifts in tone and space to reflect the texture and rythm of the rapid shifts in sound that defined the 1960s jazz aesthetic to which he is drawn. Lengthy drumming sessions inspired both Riley's painting and John Coltrane's fugue-like Giant Steps. The "inter-twining" links the mind-body connection inherent in Riley's process to phenomenology and opens new perceptions beyond material existence. Through his own sensory experience, Riley synthesizes American modernist visual vocabulary, European philosophy, and Afro-atlantic sound in his paintings. Giant steps transcends the gap between sound and image, action and passivity, to manifest as a metaphor for a fragment of a sheet of music with a long, complex, and historically rich score.
650			_aIconografía musical _9114726
773	0		_tMusic in Art : International Journal for Music Iconography _081471 _wmyd_24697 _gVol. 35, núm. 1,Spring-Fall 2010, p. 255
903			_a84478 _b84478
942			_cART
999			_c121568 _d121568