000			01557nab a2200181 c 4500
001			myd_86513
003			ES-MaCDM
005			20240917124640.0
008			181003s2009 sp ||||fr 00| u|spa u
040			_aES-MaCDM
100	1		_aPlanchart, Alejandro Enrique _9131119
245	0		_aDu Fay and the style of Molinet _cPLANCHART, Alejandro Enrique
260			_c2009: _bOxford University Press, _aLondon; Oxford
520			_aRESUMEN: This study examines the traditions of 15 th century song and song poetry that led to the style cultivated in the Burgundian court at the time of Molinet, in terms of the interaction between the affects expressed in the poetry and the musical surface of the songs, as well as the social status of the personae in the song texts. Du Fay´s early songs contain an unusual number of examples that are unconventional in this respect: they are addressed not to the usual objet d´amour but to his companions, or incorporate elements of other genres un an ironic manner. As his career progresses many of these traits disappear and his songs, on the surface, become more "convetional"; but in the late songs Du Fay again incorporates musical idioms from outside the song repertory, this time not in an ironic manner but ratherto enrich the musical and effective rhetoric of the work. Keywords: Guillaume Du Fay, Jehan Molinet, Gilles Bichois, Johannes Ockeghem, Antoine Busnoys, Burgundian chanson.
773	0		_tEarly Music _072886 _wmyd_16029 _gVol. 37, núm. 1,Feb. 2009, p. 61
903			_a86513 _b86513
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999			_c122950 _d122950