000 01415nab a2200193 c 4500
001 myd_86827
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005 20241001092954.0
008 181003s2011 stk||||fr 00| u|eng u
040 _aES-MaCDM
100 1 _aGarafola, Lynn
_9112922
245 0 _aAn Amazon of the Avant-Garde
_b Bronislava Nijinka in Revolutionary Russia
_cLynn Garafola
260 _c2011
_aEdinburgh:
_bEdinburgh University Press,
300 _a58 p.
520 _aRESUMEN: In August 1915 Alexander Kochetovsky, a graduate of Moscow's Bolshoi Ballet and a veteran of Diaghilev's Ballets Russes, arrived in Kiev to take up a position as ballet master and dancer at the Kiev City Theater [Kievskii Gorodskoi Teatr]. With him was his wife, Bronislava Nijinska, a former Ballets Russes soloist trained at St. Petersburg's Imperial Ballet School and also hired as a dancer, their two-year-old daughter Irina, and Bronislava's mother, Eleanora Bereda, a retired dancer who began her career at Warsaw's Wielki Theater. For Kochetovsky, the Kiev years would be a brief interlude in a career that ended in Houston teaching ballet to the daughters of oil barons. For Nijinska, they marked the start of an international career as one of the twentieth-century's most innovative choreographers.
773 0 _tDance Research
_072889
_wmyd_16032
_gVol. 29, núm. 2, Winter 2011, p. 109 - 166
903 _a86827
_b86827
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_2z
999 _c123173
_d123173