000			02029nab a2200241 c 4500
001			myd_86858
003			ES-MaCDM
005			20241003081904.0
008			181003s2012 us ||||fr 00| u|eng u
040			_aES-MaCDM
100			_aGirón, Elizabeth Coker _9137018
245	1		_aEffects of Kinesthetic Versus Visual Imagery Practise on Two Technical Dance Movements: _ba Pilot Study/ _cElizabeth Coker Girón; Tara McIsaac; Dawn Nilsen
260			_c2012: _bJ. Michael Ryan Publishing, _aAndover, NJ
300			_apáginas
336			_aTexto (visual)
337			_aSin mediación
520			_aRESUMEN: Motor Imagery is a type of mental practice that involves imagining the body performing a movement in the absence of motor output. Dance training traditionally incorporates mental practise techniques, but quantitative effects of motor imagery on the performance of dance movements are largely unknown. This pilot study compared the effects of two differents imagery modalities, external visual imagery modalities, external visual imagery and kinesthetic imagery, on pelvis and hip kinesmatics during two technical dances movements, plié and sauté. Each of three female dance students (mean age = 19.7 years, mean years of training = 10.7) was assigned to use type of imagery practice: visual imagery, kinesthetic imagery, or no imagery. Effects of motor imagery on peak external hip rotation varied by both modality and task. Kinesthetic imagery increased peak external hip rotation pliés, while visual imagery increased peak external hip rotation for sautés. Findings suggest that the success of motor imagery in improving performance may be task-specific. Dancers may benefit from matching imagery modality to technical tasks in order to improve alignment and thereby avoid chronic injury.
700	1		_aMcisaac, Tara _9112463
700	1		_aNilsen, Dawn _9137019
773	0		_tJournal of dance, medicine & science _072900 _wmyd_16043 _gVol. 16, núm. 1, 2012, p. 36
903			_a86858 _b86858
942			_cART _2z
999			_c123184 _d123184