000			01640nab a2200193 c 4500
001			myd_87094
003			ES-MaCDM
005			20241001092954.0
008			181003s2014 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aKaminsky, David _9137099
245	0		_aTotal Rhythm in Three Dimensions _b Towards a Motional Theory of Melodic Dance Rhythm in Swedish Polska Music _cDavid Kaminsky
260			_c2014 _aEdinbugh: _bEdinbugh University Press,
300			_a22 p.
520			_aRESUMEN: In this article I present an ethnotheory of the music/dance relationship in Swedish polska, based on dance fieldwork and interviews I have conducted with polska dance musicians. I discuss three mechanisms that these musicians use to communicate movement patterns to dancers: iteration (entrainment via repetition), metaphor (timbral weight conveying motional weight), and sympathy (musician's movements mapping dance movements). I then discuss how musicians use these mechanisms to control four motional parameters: pulsation (rate and consistency of tempo), lean (degree and direction of tilt over the dance axis) viscosity (level of perceived air resistance), and libration (degree and timing of vertical motion). The work is intended in part as a case study of how theories of both music and dance can benefit from a focused analysis of the relationship between those two domains, as well as how studies of music/dance relations can benefit from the application of ethnographic research techniques.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 32, núm. 1,Summer 2014, p. 43 - 64
903			_a87094 _b87094
942			_cART _2z
999			_c123332 _d123332