000			01459nab a2200193 c 4500
001			myd_87199
003			ES-MaCDM
005			20241001092955.0
008			181003s2010 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aRobinson, Danielle _9137134
245	0		_aThe Ugly Duckling _b The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance _cDanielle Robison
260			_c2010 _aEdinburgh: _bEdinburgh University Press,
300			_a21 p.
520			_aRESUMEN: The focus of this article is the transformation of ragtime dancing into modern social dance by hundreds of teachers, writers and performers working in an emerging dance industry, rooted in New York City. Based on dance manuals and magazines of the period, I argue that dance professionals worked collectively to create new products (i.e. dances) that could more easily be mass-produced and marketed. Importantly, they called their efforts a "refinement" of ragtime and justified their work through discourses of artistry and morality. Upon closer examination, however, the changes they made to the dances indicate that artistry and morality were actually achieved by removing the black associations of ragtime dancing and instead, using modern social dance to construct an idealized white racial identity.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 28, núm. 2, Winter 2010, p. 179 -199
903			_a87199 _b87199
942			_cART _2z
999			_c123369 _d123369