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| 001 | myd_87232 | ||
| 003 | ES-MaCDM | ||
| 005 | 20241001092956.0 | ||
| 008 | 181003s2006 stk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aRussell, Tilden A. _9131842 |
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_aThe Minuet According to Taubert _cTilden A. Russell |
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_c2006 _aEdinburgh: _bEdinburgh University Press, |
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| 300 | _a25 p. | ||
| 520 | _aRESUMEN: The Rechtschaffener Tantzmeister, by Gottfried Taubert, is a truly encyclopedic work, a cosmology, so to speak, of dance in Taubert's time. Kurt Petermenn, the general editor of the facsimile edition, calls Taubert "... the first systematizer of dance, who painstakingly surveyed the entire vast field of Tanzkunst according to rational principles". Taubert's immense treatise consist of three books. Book I is concerned primarily with the history of dance and its status as a social activity. Book III is concerned primarily with the métier of the dancing master, and the occasions and customs connected with social dance. Book II addresses the art of dancing itself, and it is longer than the other two books put together. The discussion of the minuet begins just after the midpoint of the whole treatise; in fact the two volumes of the facsimile edition are divided at Taubert's notated choreography of the menuet ordinaire. Literally and figuratively, the minuet is at the center of Taubert's cosmos. | ||
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_tDance Research _072889 _wmyd_16032 _gVol. 24, núm. 2, Winter 2006, p. 138 - 162 |
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_a87232 _b87232 |
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