| 000 | 01037nab a2200193 c 4500 | ||
|---|---|---|---|
| 001 | myd_87256 | ||
| 003 | ES-MaCDM | ||
| 005 | 20241001092957.0 | ||
| 008 | 181003s2005 stk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aWhatley, Sarah _9103764 |
|
| 245 | 0 |
_aDance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies _cSarah Whatley |
|
| 260 |
_c2005 _aEdinburgh: _bEdinburgh University Press, |
||
| 300 | _a19 p. | ||
| 520 | _aRESUMEN: Choreographers regularly make revisions to their work. Revisions that are made are sometimes significant and can radically alter the dance whilst other changes may be almost invisible to the viewer. In the case of Siobhan Davies, revising dances has become a regular feature of her work. This paper represents a case study, which is designed to shed some further light on this process. | ||
| 773 | 0 |
_tDance Research _072889 _wmyd_16032 _gVol. 23, núm. 2, Winter 2005, p. 87 - 105 |
|
| 903 |
_a87256 _b87256 |
||
| 942 |
_cART _2z |
||
| 999 |
_c123403 _d123403 |
||