000			01354nab a2200193 c 4500
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003			ES-MaCDM
005			20241001093000.0
008			181003s2018 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aMurga Castro, Idoia _9109424
245	0		_aThe Spanish Reception of Le Sacre du Printemps (1913-1936) _cIdoia Murga Castro
260			_c2018 _aEdinburgh: _bEdinburgh University Press,
300			_a19 p.
520			_aRESUMEN: Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a completed ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War. PALABRAS CLAVE: The Rite of Spring; Igor Stravinsky; Ballets Russes; Spanish Silver Age; modernism; avant-garde
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 36, núm. 1,Summer 2018, p. 48 - 66
903			_a90919 _b90919
942			_cART _2z
999			_c126032 _d126032