000			02140nab a2200193 c 4500
001			myd_90920
003			ES-MaCDM
005			20241001093000.0
008			181003s2018 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aVanistendael, Cornelis _9138164
245	0		_aShaping Europe's First Dance Craze - The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795-1815) _cCornelis Vanistendael _bCase Studies in Cultural Mobility from the Southern Netherlands
260			_c2018 _aEdinburgh: _bEdinburgh University Press,
300			_a21 p.
520			_aRESUMEN: The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination of a new dance, the quadrille, over a vast territory. The traditional channels of dissemination cannot account for this astonishing process. The circumstances of the Napoleonic wars disrupted the functioning of institutions, publishing and networks of patronage. This article proposes an alternative explanation for the rapid rise of the quadrille. It explores aspects of the quadrille. During winter campaigns, French forces organized dance lessons on a massive scale. They encouraged peer-to-peer tutoring. Moreover, the organization of Napoleon's army allowed the formation of networks that were unaffected by the social constraints acting on appropriation processes in civil society. The process is a fine demonstration of the concept of cultural mobility. Although the question of the dissemination of the waltz is of equal importance during the era under study, it will not be addressed here. The origins of the waltz lie in a more distant past and concern a different culture sphere. The case of the quadrille is a broad European phenomenon. To get a Hold on it, this article focuses on case studies from the Southern Netherlands and the principality of Liège, a territory which approximates to contemporary Belgium. PALABRAS CLAVE: social dancing, quadrille dancing, Napoleonic wars, dance craze
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 36, núm. 1,Summer 2018, p. 91 - 112
903			_a90920 _b90920
942			_cART _2z
999			_c126033 _d126033