| 000 | 01325nab a2200229 c 4500 | ||
|---|---|---|---|
| 001 | myd_90935 | ||
| 003 | ES-MaCDM | ||
| 005 | 20241001093001.0 | ||
| 008 | 181003s2017 stk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aKew, Carole _d1977- |
|
| 245 | 0 |
_a"Degenerate Dance" _cCarole Kew _bThe Case of Mary Wigman |
|
| 260 |
_c2017 _aEdinburgh: _bEdinburgh University Press, |
||
| 300 | _a9 p. | ||
| 520 | _aRESUMEN: Mary Wigman (1886-1973) remained in Germany during the period of the Third Reich. Based on an article published in 1940 entitled Entarteter Tanz (Degenerate Dance), this essay discusses why the dance of mary Wigman and, more broadly, why Weimar dance was labelled "degenerate" by the National Socialist regime. The argument is framed with reference to an article written by Mary Wigman about her school which was published a few months later in the same prominent dance journal, Der Tanz. PALABRAS CLAVE: Mary Wigman, Klara Walther, Claire Therwal, Tatjana Barbakoff, Fred Hildenbrandt, Wigman school, Weimar dance, degenerate dance | ||
| 600 | 1 | 7 |
_aWigman, Mary _d1886-1973 _9108926 |
| 650 | 0 |
_aMúsica degenerada _9118934 |
|
| 650 | 0 |
_aNazismo _9115796 |
|
| 773 | 0 |
_tDance Research _072889 _wmyd_16032 _gVol. 35, núm. 2, Winter 2017, p. 209 - 218 |
|
| 903 |
_a90935 _b90935 |
||
| 942 |
_cART _2z |
||
| 999 |
_c126048 _d126048 |
||