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| 003 | ES-MaCDM | ||
| 005 | 20241001093001.0 | ||
| 008 | 181003s2017 stk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aPashman, Susan _d1942- _9138173 |
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_aFeeling is Movement _cSusan Pashman _bDamasio´s Neural Model of Dance Expression |
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_c2017 _aEdinburgh: _bEdinburgh University Press, |
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| 300 | _a16 p. | ||
| 520 | _aRESUMEN: This article deals with Antonio Damasio's significant contribution to clarifying the precise way expression works in dance. Damasio's neural model of consciousness, I believe, supplies the precision of terminology that allows aestheticians to link an observed object, the artwork, to the emotional experience of observing it. Damasio's "double" notion of kinaesthesia provides a clear and useful way of distinguishing the neural aspects of the aesthetic experience from those best left to phenomenology. PALABRAS CLAVE: Kinaesthesia, Damasio, movement, emotion, expression | ||
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_tDance Research _072889 _wmyd_16032 _gVol. 35, núm. 2, Winter 2017, p. 258 - 273 |
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