000 01179nab a2200193 c 4500
001 myd_90937
003 ES-MaCDM
005 20241001093001.0
008 181003s2017 stk||||fr 00| u|eng u
040 _aES-MaCDM
100 1 _aPashman, Susan
_d1942-
_9138173
245 0 _aFeeling is Movement
_cSusan Pashman
_bDamasio´s Neural Model of Dance Expression
260 _c2017
_aEdinburgh:
_bEdinburgh University Press,
300 _a16 p.
520 _aRESUMEN: This article deals with Antonio Damasio's significant contribution to clarifying the precise way expression works in dance. Damasio's neural model of consciousness, I believe, supplies the precision of terminology that allows aestheticians to link an observed object, the artwork, to the emotional experience of observing it. Damasio's "double" notion of kinaesthesia provides a clear and useful way of distinguishing the neural aspects of the aesthetic experience from those best left to phenomenology. PALABRAS CLAVE: Kinaesthesia, Damasio, movement, emotion, expression
773 0 _tDance Research
_072889
_wmyd_16032
_gVol. 35, núm. 2, Winter 2017, p. 258 - 273
903 _a90937
_b90937
942 _cART
_2z
999 _c126050
_d126050