000			01736nab a2200193 c 4500
001			myd_90951
003			ES-MaCDM
005			20241001093002.0
008			181003s2017 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aGermain-Thomas, Patrick _d1961- _9126212
245	0		_aDevelopment of French Contemporary Dance _cPatrick Germain-Thomas _bAn Interaction between Public Intervention and Market Mechanisms
260			_c2017 _aEdinburgh: _bEdinburgh University Press,
300			_a14 p.
520			_aRESUMEN: In France, an academic view of dance held sway until the 1960s. However the growing recognition of contemporary dance by the French ministry of culture and by local authorities since the 1970s culminated in the constitution of an artistic world distinct from that of classical dance. A mixed economic system has been set up, with contemporary dance companies depending not only on subsidies but also on funding from theatres and festivals, which either purchase or coproduce performances. This "subsidized market" combines the allocations of subsidies by public bodies and the relatively-free decisions of venue managers. In spite of substantial increases in scheduling and attendance figures, this market is characterized by a structural imbalance linked to a gap between the number of performances produced annually and the outlets offered by the distribution networks. The enlarging of the audience is therefore essential to the future of this artistic movement in France. PALABRAS CLAVE: contemporary dance, creation, cultural policy, scheduling, audience development.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 35, núm. 1, Summer 2017, p. 61 - 74
903			_a90951 _b90951
942			_cART _2z
999			_c126064 _d126064