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003			ES-MaCDM
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008			181003s2017 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aKloetzel, Melanie _d1949-
245	0		_aSite, Adapt, Perform _cMelanie Kloetzel _bA Practice-as-Research Confrontation with Climate Change
260			_c2017 _aEdinburgh: _bEdinburgh University Press,
300			_a19 p.
520			_aRESUMEN: In recent years, art festivals around the globe have become enamoured of touring, site - based performance. Such serialised site work is growing in popularity due to its accessibility, its spectacular characteristics, and its adaptive qualities. Employing practice-as-research methodologies to dissect the basis of such site-adaptation performances, the author highlights her discovery of the crumbling foundation of the adaptation discourse by way of her creative process for the performance work Room. Combining finding from the phenomenological explorations of her dancing body as well as from cultural analyses of the climate change debate by Dipesh Chakrabarty (2009), Claire Colebrook (2011, 2012), and Bruno Latour (2014), the author argues that only by fundamentally shifting the direction of the adaptation discourse - on scales from global to the personal - will we be able to build a site-adaptive performance strategy that resist the neoliberal drive towards ecological and economic precarity. PALABRAS CLAVE: site-specific performance, adaptation, site-adaptive dance, climate change, precarity
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 35, núm. 1, Summer 2017, p. 111 - 129
903			_a90954 _b90954
942			_cART _2z
999			_c126067 _d126067