000			02387nab a2200217 c 4500
001			myd_90977
003			ES-MaCDM
005			20241001093004.0
008			181003s2016 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aBouffard, Mickaël _9138197
245	0		_aThe Convergence of Dancing and Drawing Practices in the Reing of Louis XIV _cMickaël Bouffard; traducción por Margaret M.McGowan _bCostume Designs from the Edmond de Rothschild Collection in the Louvre
260			_c2016 _aEdinburgh: _bEdinburgh University Press,
300			_a30 p.
520			_aRESUMEN: This Article takes as its starting point the large corpus of costume drawings contained in the Edmond de Rothschild collection in the Louvre. This corpus represents a significant fraction of the works from the 17th and 18th centuries built up by the collector Claude Pioche du Rondray with the intention of publishing an illustrated history of French spectacle. An attempt is made here to set aside the view that choreographic images from the Ancien Regime cannot be used as a source for understanding the technical aspect of dancing from that time. While accepting that no image can be entirely trustworthy, it is nonetheless the case that the true nature of choreographic art from the reign of Louis XIV can be discovered from the way the skirt is held in the minuet, from the coordination of arms and legs in opposition, and from the double bend of the elbows or the high positioning of the arms. Study of these precise examples also helps to date the introduction of certain dance movements and to clarify certain choreographic descriptions. Thus, in order to select and exploit images of the dance as useful sources of information, this article argues that the scholar must bring together a deep knowledge of technique and a familiarity with the workshop practices used by artist to reduce their production time whether through borrowing postures from other images or making etched silhouettes. PALABRAS CLAVE: Dance iconography; costume drawings; dance technique; workshop practices; Claude Pioche du Rondray; Jean Berain; Henri Gissey; Henri Bonnart
700	1		_aLa Gorce, Jérôme De _9136457
700	1		_aMcGowan, Margaret M. _eTraductor _d1931- _9112474
773			_tDance Research _wmyd_16032 _gVol. 34, núm. 1, Summer 2016, p. 1 - 29 _072889
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