000			01847nab a2200193 c 4500
001			myd_90978
003			ES-MaCDM
005			20241001093004.0
008			181003s2016 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aBoer, Jacobien de _d1955- _9138196
245	0		_a"Sie lieber Hans Brandenburg". Gertrud Leistikow and Hans Brandenburg _cJacobien de Boer
260			_c2016 _aEdinburgh: _bEdinburgh University Press,
300			_a17 p.
520			_aRESUMEN: Hans Brandenburg (1885-1968) was one of the first authors of his time to write seriously about modern dance. His book Der moderne Tanz (Modern dance) can be seen as an important source for dance historians. The best known contemporary dancers are discussed as are the schools that Brandenburg considered of relevance for this new art. Brandenburg seems to have been especially impressed by the dancer Gertrud Leistikow (1885-1948) with whom he and his wife Dora Brandenburg-Polster corresponded regularly from 1912 onwards. He regarded her as a great artist, a genius even. It is remarkable that the career of Gertrud Laistikow has remained relatively underexposed, which may also be the reason for various misconceptions about her. One of these is that she was a Nackttänzerin (nude dancer), ashamed of her face and wearing masks or veils to hide it. Using Brandenburg's works and his correspondence with Leistokow (of which only the letters written by Leistikow survive) this essay evaluates. Laistikow's role in the emergence of modern dance, deals with misunderstandings and also provides some explanations for her disappearance in obscurity. PALABRAS CLAVE: Gertrud Leistikow, Hans Branderburg, German modern dance, nude dance
773			_tDance Research _wmyd_16032 _gVol. 34, núm. 1, Summer 2016, p. 30 - 46 _072889
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