000			01310nab a2200193 c 4500
001			myd_90979
003			ES-MaCDM
005			20241001093004.0
008			181003s2016 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aPotter, Michelle _d1944- _9112451
245	0		_aRobert Helpmann _cMichelle Potter _bBehind the Scenes with the Australian Ballet, 1963-1965
260			_c2016 _aEdinburgh: _bEdinburgh University Press,
300			_a16 p.
520			_aRESUMEN: Robert Helpmann played an influential role in the early development of the Australian Ballet as choreographer and co-artistic director. The first ballets he created for the fledgling company, The Display in 1964 and Yugen in 1965, were seen as a means by which the Australian Ballet could achieve an international profile: the Helpmann name was a powerful one. But the creative development period that brought these ballets to the stage reveals a demanding side of Helpmann's personality and approach-an uncompromising collaborative aesthetic in his dealings with his collaborators. PALABRAS CLAVE: Helpmann, collaboration, ballet librettos, ballet design, artistic direction, public relations
773			_tDance Research _wmyd_16032 _gVol. 34, núm. 1, Summer 2016, p. 49 - 62 _072889
903			_a90979 _b90979
942			_cART _2z
999			_c126092 _d126092