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008 181003s2016 stk||||fr 00| u|eng u
040 _aES-MaCDM
100 1 _aLo Iacono, Valeria
_d1944-
245 0 _aBeyond Binarism
_cValeria Lo Iacono; David H.K.Brown
_bExploring a Model of Living Cultural Heritage for Dance
260 _c2016
_aEdinburgh:
_bEdinburgh University Press,
300 _a21 p.
520 _aRESUMEN: This essay, inspired by the 2003 UNESCO Convention for the Safeguarding of Intangible Cultural Heritage, explores meanings and definitions of the term "cultural heritage" as it may be applied to dance. UNESCO's effort to include many different types of human expressions in its lists is commendable and an important attempt to safeguard the aspects of the world's cultural heritage. However, the binary oppositions of "tangible"/"intangible", frequently used to describe material and immaterial elements of culture and heritage create a false dichotomy. This label is particularly problematic for dance, given its complex, multi-dimensional nature in which intangible and tangible elements are indissolubly linked. Instead, we suggest an alternative perspective of "living cultural heritage" which is informed by three post-dualist conceptions contained within Gidden's Structuration theory (structure-agency), Merleau-Ponty's phenomenology (mind-body) and Bourdieu's theory of cultural practice (field-practice-habitus). This essay introduces the idea of a living cultural heritage by using the above post-dualist concepts as a stepping stone towards a more inclusive and fluid model of heritage. In this model, the cultural, embodied, practical, spatial, temporal and artefactual elements of cultural heritage are retained as each contributes to an emergent process of exchange and dialogue resulting in cultural heritage. PALABRAS CLAVE: Body; dance; intangible cultural heritage; dualism; duality; UNESCO
700 1 _aBrown, David
_d1968-
_9138200
773 _tDance Research
_wmyd_16032
_gVol. 34, núm. 1, Summer 2016, p. 84 - 105
_072889
903 _a90981
_b90981
942 _cART
_2z
999 _c126094
_d126094