000			01486nab a2200193 c 4500
001			myd_91039
003			ES-MaCDM
005			20241001093007.0
008			181003s2013 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aJärvinen, Hanna _9136301
245	0		_a"Great Horizons Flooded with the Alien Light of the Sun" _bLe Sacre du Printemps in the Russian Context _cHanna Järvinen
260			_c2013 _aEdinburgh: _bEdinburgh University Press,
300			_a2 p.
520			_aRESUMEN: Even a century the premiere of Le Sacre du Printemps, Russian Contemporary sources offer a wealth of material on the Ballets Russes and particularly on Nijinsky´s 1913 choreography that are rarely even read let alone discussed in detail. Consequently, the interpretations ignore outright the importance of the historical context of Imperial Russia to this work and, specifically, the contemporary Russian dance discourse has been overshadowed by the authoritative voices of Western critics and rather selective reminiscences emphasising the scandalous premiere. This paper will give an overview of some of these little-known Russian sources and their generally positive reception of Nijinsky´s work in order to argue that these informed Russian spectators perceived Sacre in a manner that contest how his work has been represented in dance history.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 31, núm. 1, Summer 2013, p. 1 - 28
903			_a91039 _b91039
942			_cART _2z
999			_c126152 _d126152