000			01788nab a2200205 c 4500
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008			181003s2012 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aPrickett, Stacey _d1937-
245	0		_aDefying Britain's Tick-Box Culture _cStacey Prickett _bKathak in Dialogue with Hip-Hop
260			_c2012 _aEdinburgh: _bEdinburgh University Press,
300			_a17 p.
500			_aDentro de la sección: Tradición e innovación en la creatividad intercultural (Tradition and Innovation in Cross-Cultural Creativity)
520			_aRESUMEN: With question of identity and multiculturalism remaining at the centre of debate in the press, political and academia arenas, a dance prodution tackles these issues head on in a surprisingly humorous and accesible way. Birmingham-based Sonia Sabri Company´s Kathakbox is a collaborative prodution exploring the theme of "ticking boxes" which sets out to challenge preoconceptions about identity. Four specialists in kathak, hip-hop, Africa Caribbean and contemporary dance are joined by three musician-vocalist who eschew intruments, utilising their voices and bodies to create a vibrant rhythmic score influenced by a cosmopolitan mix of styles. Aesthetic and ideological meeting points occur onstage in the critically praised hour-long show, while counter-hegemonic possibilities amerge in associated workshops. The article explores how the narrative potential of kathak opens the way for Muslim women participants to delve into movement possibilities and improvisational potencial of both the South Asian dance from and hip-hop.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 30, núm. 2, Winter 2012, p. 169 - 185
903			_a91054 _b91054
942			_cART _2z
999			_c126167 _d126167