| 000 | 01175nab a2200193 c 4500 | ||
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| 001 | myd_91063 | ||
| 003 | ES-MaCDM | ||
| 005 | 20241001093008.0 | ||
| 008 | 181003s2012 stk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aKew, Carole _d1931- |
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| 245 | 0 |
_aMary Wigman's London Performances _b A New Dance in Search of a New Audience _cCarole Kew |
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| 260 |
_c2012 _aEdinburgh: _bEdinburgh University Press, |
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| 300 | _a21 p. | ||
| 520 | _aRESUMEN: Mary Wigman (1886-1973) visited London on two occasions in order to perform her solo work. These fleeting visit ast as the backdrop to an essay on the reception of her dance in Britain. In both dance composition and in spectatorship Wigman encouraged a process of self-enquiry. This new approach challenged prevailing cultural expectations in Britain concerning the nature of dance performance. Wigman returned to Germany having made little overt impact on the dance in a more oblique way by acting as a stimulus to the inter-war drive to establish a British ballet tradition. | ||
| 773 | 0 |
_tDance Research _072889 _wmyd_16032 _gVol. 30, núm. 1, Summer 2012, p. 1 - 22 |
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_a91063 _b91063 |
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_cART _2z |
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_c126176 _d126176 |
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