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008			181003s2011 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aGarafola, Lynn _d1966-
245	0		_aCrafted by Many Hands _cLynn Garafola _b Re-Reading Bronislava Nijinska's Early Memoirs
260			_c2011 _aEdinburgh: _bEdinburgh University Press,
300			_a19 p.
520			_aRESUMEN: In 1981 Bronislava Nijinska´s Early Memoirs, the last autobiography by a major figure in Diaguilev´s Ballets Russes, was published to near universal acclaim. However, as the choreographer´s notes, drafts, and early autobiographical manuscripts make clear, Early Memoirs is a composite work, crafted by multiple hands and harbouring within itself alternative and even contradictory readings of the dominant story. In a field that privileges first person testimony, the composite nature of most dance autobiographies is highly problematic, at once undermining their narrative authority and forcing recognition of what might be called their multivocality. Early Memoirs, like other volumes of dance autobiagraphy, belong both to Nijinska and to her interpreters, even if their interest do not always coincide.
773	0		_tDance Research _072889 _wmyd_16032 _gVol. 29, núm. 1, Summer 2011, p. 1 - 18
903			_a91090 _b91090
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999			_c126202 _d126202