000			01870nab a2200193 c 4500
001			myd_91138
003			ES-MaCDM
005			20241001093012.0
008			181003s2000 stk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aNevile, Jennifer _d1944-
245			_aDance Patterns of the Early Seventeenth Century _bThe Stockholm Manuscript and Le ballet de Monseigneur _cJennifer Nevile
260			_c2000 _aEdinburgh: _bEdinburgh University Press,
300			_a18 p.
520			_aRESUMEN: Dancing was a very popular activity in the latter half of the sixteenth and early seventeenth centuries. It could function as an evening's entertainment in the country house of the local gentry, or as an important part of the extravagant court spectacles: productions rich with political allegories and multiple layers of symbolism. For example, at the French court alone in the twenty-one years between 1597 and 1618 ninety-six ballets were performed. In spite of the prolific number of ballets and fêtes which took place in France, the choreographic record of this activity is very slim. What records do remain are also somewhat isolated. There is no French equivalent to the substantial dance treatises written by the Italian dance masters from the second half of the sixteenth century, which record the names of dozens of dance masters, pages of information on how to perform the dance steps, hundreds of galliard variations, as well as over 150 choreographies. This article, then is an attempt to establish connections between two of these scarce French choreographic records: the 1610 Ballet de Monseigneur de Vendosme, and the notebook of an unknown French dancing master, now held in the Kungliga Biblioteket in Stockholm.
773	0		_tDance Research _wmyd_16032 _gVol. 18, núm. 2, Winter 2000, p. 186 - 203 _072889
903			_a91138 _b91138
942			_cART _2z
999			_c126250 _d126250