000			01592nab a22001817c 4500
001			myd_91217
003			ES-MaCDM
005			20240912164606.0
008			181003t20189999enk||||| |||| 00| 0 eng d
040			_aES-MaCDM _bspa _erdc
245			_aBehind Hartker's antiphoner _bNeglected fragments of the earliest Sankt Gallen tonary _cHenry Parkes
260			_bCambridge University Press, _c2018 _aCambridge
300			_a64 páginas
520			_aResumen: Prior to the famous Hartker Antiphoner (Sankt Gallen, Stiftsbibliothek, Cod. 390/391), copied in Sankt Gallen c. 1000, there survives no complete, fully notated witness to the Romano-Frankish chant repertory for the Office. Scholars have long known about the related tonary, possibly a decade older, in which the Sankt Gallen repertory is to be found ordered by melody. But unrecognised until now are the remains of a second tonary (Stadt-archiv Goslar, Handschriftenfragmente MThMu 1/1), datable to the early tenth century. The combined testimony of these two tonaries, together with other surviving fragments, is taken as the basis for a reassessment of the Office repertory in tenth-century Sankt Gallen. Nineteenth-century scholarshio gave Hartker's Antiphoner and arguably undeserved reputation as an authorised monument of Gregorian Chant. This view seems unsustainable in the light of many apparent editorial interventions, yet it may be precisely what the monks had set out to achieve.
773	0		_940966 _tEarly Music History _w(ES-MaCDM)91171 _x0261-1279 _gVol. 37, p. 183-246 _091171
903			_a91217 _b91217
942			_2z _cART
999			_c126328 _d126328